Dear Alfonso, up to 24.8 million people are following your posts on Instagram, with 7,000 comments. People from around the world are captivated by your content. Does this overwhelm you?

Yes, absolutely. Very much so. Even my initial posts garnered 16 thousand views. At that time, I was completely unknown and simply had the desire to share my pictures with people. It's only been 1.5 years, and today I have 471,000 followers. This fills me with immense gratitude and joy.

 What do your followers specifically say?

I have never commented on my own pictures. I simply wanted people to experience and form their own perception of my art. However, the comments indicate that viewers feel the same way I do. They are enchanted and sense the energy. They say, "You are not of this world." "Your pictures are magical." "Your images touch my soul." This, in turn, deeply touches me.

How do your paintings come to life?

My paintings are in motion. They embody movement and energy. I start painting and connect with energies that have revealed themselves to me and that I feel.

I am highly sensitive and feel intensely. What I am allowed to feel requires no communication. It is a direct connection to a dimension, to energies. I receive frequencies that guide my hand.

When I begin my work, I close my eyes and ask: What is up today? I do not decide what will be painted. My hand is guided. The choice of colors and shapes is predetermined. The shapes always revolve around organic forms.

I fully surrender to these beautiful waltzes of life. That's how my paintings come to life.

When did you start painting?

Before I started painting, I went through a long process. Years ago, I lived for an extended period in a very high frequency without knowing what to do with it. I spent ten days living like a hermit, staying on a lava beach.

I was by the sea, immersing myself in the light and energy of the ocean. I heard an orchestra of light and sounds. I was as close to the sky as I will ever be. I believe I felt God with all of his indescribable energies. It was an orchestra of light, an orchestra of sounds. Such a mystical experience that compelled me to go back there every day. And I more or less just surrendered to the energy field.

From that point on, I continued my spiritual journey. It became possible for me to understand prayers and feel the closeness to God. The real closeness, alongside my divine being.

WOW. How did that experience affect you?

After that experience, I initially didn't pay much attention to the "divine feeling" because I couldn't categorize it. However, I felt a sense of liberation, a coming home, a reunion, a merging. It was like listening to an orchestra I had never heard before. The resonance of colors and the sparkling stars. High, beautiful sounds of unimaginable beauty; it was indescribable. Today, I know it was the sound of the universe.

Back then, I didn't know how to convey the experience to those around me. I began to dissolve all illusionary chains in my life, and a transformation began. I experienced the process of transformation as if I were surrounded by an impenetrable veil, which was then violently torn apart with tremendous force and intensity. I simply sewed it back together because it was too much for me. I had seen too much that I couldn't categorize at that time because it came from the adapted system and wanted to return to it. Perhaps for the sake of familiar security or out of habit? But then, in that state, I no longer felt happy and tore the veil apart again.

This also meant separating from the familiar life. Everything broke that needed to break. Everything I had built up in strength and disregard was destroyed. I was ready to give up everything I had built. Everything the system demanded of me. I wanted to be free.

And I started to paint. To this day, I have painted 400 pictures. When I painted the first pictures and felt the energies, it was like a miracle to me. I was in the process of freeing myself from the consistency of the limited edition of humans.

That sounds very privileged.

Yes, exactly. My life is a privilege. I let nature and spirituality guide me. I live, dance, play music, paint. I allow myself to be led by energies, moving through spaces I haven't known before. And I love it.

When the soul awakens in this body, the awakening is initially intense. Those who awaken know why they chose this path. It's about experiencing the greatest joy of love and harmony, dancing with the wind, beyond the confines of the body. We were called to embark on this journey.

I have the impression that more and more people want to follow this path.

Yes, and we encounter each other on this frequency. Those of us who have awakened recognize each other more and more. This amplifies the power.

Does that also mean finding one's way back to nature?

Absolutely. Nature is our greatest strength. Returning to nature doesn't mean going back to the Stone Age but rather introspecting: What do I truly need? Personally, I feel a strong connection to the wind. I am so closely related to the wind that I need it. It brings the air to my nose. Then, I breathe in that air and thank God that I get to experience this here. Now and here. This creates an energy within me, and the day becomes magical. At that point, I just want to BE. And that's exactly what I do.

Do you play the ancient instruments?

Yes, that's correct. I play the didgeridoo, overtone flutes, fujara, and jaw harp – they all achieve the same effect, which is to quiet the mind. Sometimes, I play in the sauna and use my shamanic drum, the Chamán. Through the heat and drumming, I reach a specific frequency, a trance.

I am fascinated by the emotional intelligence of indigenous peoples. For this reason, I also learned archery. Under the guidance of a professor of prehistory, I built a bow following his instructions, one that was crafted 700 years before Christ, so I could feel our ancestors. My art embodies the freedom of souls, including that of indigenous peoples.

What message do your paintings convey?

I'm not sure if I would describe it as a message. I'd rather create a kind of antivirus. I offer people something they don't expect. They don't anticipate beauty, inner freedom, inner strength, peace, and harmony, but it's there. And I want to show it to them.

It is possible every day to change one's life and see what was previously unseen. Until now, there were no images for that because the images come from the psyche, from the horizontal field. My paintings encapsulate exactly that.

Is it hard for you to part with your paintings?

No! I'm not attached to any painting because I know that the images are meant to go out into the world. I keep the motifs in the cathedral of my heart.